Showing posts with label Books. Show all posts
Showing posts with label Books. Show all posts

Tuesday, April 23, 2019

The Female Eunuch - by Germaine Greer



**this blog is a slow work in progress (true to form 😏). updates to follow**

"'Many games are played most intensely by disturbed people; generally speaking, the more disturbed they are, the harder they play.'  The alternative to game-playing, to the defensive process which is the game of war, is what every woman must now seek for herself, autonomy." (327)


Every once in a while I find that I'm reading a book just at the time when I need it.  That's what happened with The Female Eunuch, and for that I'm grateful.

Germaine Greer is an honest, forthright author so even if you might not agree with the specifics of what she's saying, I would hope that the reader could appreciate her intentions at the very least.  She is a very intelligent person who supports her arguments with an eye towards the historical context of the facts she uses as support.

Image result for germaine greer life magazine cover

I have not visited the realm of Women's Studies since I was an undergraduate in college. I found two issues with the class that I took at the ripe age of 19. First, I perceived that social studies was just the wrong lens with which to examine what it's trying to look at (an admittedly confusing statement, but perhaps you get my gist).  Second (specific to women's studies), is that the discipline is filled with a lot of poor thoughts and strange feminists that I can't relate to.  However, to this day I love when I am able to find common ground in conversation with another woman.  It is a powerful experience.  Feminism has the potential to be great, & to truly improve the condition of the world (for both men and women).  However, it often seems to fall short of that mark.

Germaine Greer seems to share my point of view on that, and I think that's a big part of why I was able to hang in there with this book when I have started and stopped so many feminist works over the years.  She doesn't blindly take up the cause of all women without taking into account our faults and the mistakes we have a tendency to make.  She tries to bring these into the light in The Female Eunuch in order that we can be more effective in seeking out the goals that she suggests we really need to be pursuing.  In fact, Greer goes beyond being an author & really is a revolutionary.  Beyond being a feminist she is a socialist and really argues that we need to pursue both aims in order to change the world.  It's as if, to her mind, the most evolved feminist also has a bit of Marxist in her/him.  She also suggests that women, based on their subservient role in the status quo, make better leaders towards these aims than men simply because men are more deeply embedded in the status quo (as a function of their being its dominant members).  Bottom line, she definitely believes that changing the reality of women and their lives will improve the condition of all humankind.

"The same pressures that bind with briars a woman's joys and desires are the pressures that will destroy the world." (112)  

And she shares her opinions in the hope of guiding all people away from that potential outcome.  It's a very ambitious goal she has set for herself.

I was glad to start thinking in terms of sexual politics again.  I was glad to spend some time musing on what it's like being a woman in this world.  Reading this I felt like I was going into a inner room that I hadn't visited in a long while - and while I'm still mulling this book over (and suspect I will continue to do so for a bit) I am as I say thankful for that much.  I have always thought that gender relations are so inherent in our social fabric that they become a given to us.  It's a given that deep-rooted complacency follows even though it really does not serve us for this to be so.  For now, I'm far from looking to pick a fight with all the men in my life, but I am trying to hold onto that antithesis to complacency, a willingness to think critically about what I am genuinely observing.  And a willingness to follow it wherever it leads me.

Germaine Greer on the LIFE magazine cover on May 7, 1971. Inside, LIFE promoted the feature by saying that Greer wanted to “liberate women from the ‘slavery’ of traditional marriage and motherhood”. Picture: Vernon Merritt III/The LIFE Premium Collection/Getty Images

Now for some background on what The Female Eunuch was born out of.  The Female Eunuch was written in 1969.  The thing about reading it now is that it will, inevitably, seem as if parts of it are dated.  So, it's tough not to ask that question: why should I read it?  However, the book almost immediately sets out to prove that attitude wrong.  It goes straight into trying to muck up the deeply entrenched attitudes towards women, attitudes amongst women, societal injustices, etc. that affected women then.  And as with most deeply entrenched things, they are still (to varying degrees) relevant to contemporary problems.

Part of what helps The Female Eunuch continue to be relevant 50 years after its publication is that its author cast a very wide net on women's/world issues.  This can be seen in the book's sections which are entitled:

1) Body

2) Soul

3) Love

4) Hate

5) Revolution


To me the central thesis of this book is a strong and simple one.  Women are treated as passive creatures and so are often spoken of in passive terms.  The most striking example is, of course, the role of women in the sexual act.  Women are fucked.  It is a thing that is done to them and they are spoken of as if they lie there, passively, and simply receive all the action that is visited upon them.  Germaine Greer calls this the "spittoon theory" of womanhood.  A spittoon is a round canister that is used for spitting chewing tobacco into.  Check it, it's a thing : https://en.wikipedia.org/wiki/Spittoon

It is the male attitude towards sex, and it is perniciously pervasive in so many, many other areas.  Women struggle to actively, intentionally, and vigorously seek after their goals; I think this has a basis in not only what society tells them they should do but also comes inwardly from some part of themselves.  It's not necessarily frowned upon as much as it used to be when a woman is willing to move mountains to get what she wants/needs, however, it's still not something that we associate with femininity.  Femininity - as a concept - remains associated with passivity.  Consequently, if a woman deviates from passivity, she deviates from femininity.

Femininity is something that is in the eye of the beholder.  Not everyone would see things that way.  There are women and men who when faced with a pro-active woman I'm sure would not consider that woman any less feminine for it.  However, on the whole Greer's thesis seems to still hold water.  Women are very oppressed by having to uphold this concept of what it means to be feminine.

I've been thinking that this imperative might not be simply imprinted upon women from societal pressures.  I have a niece and a nephew (fraternal twins) - and so, they are at the same point in their development at all times with the exception of their gender (and, of course, their distinct personalities).  At age 5, it's very interesting to see how they've begun to take different tracks in life.  Consequently, I've been considering how passivity might be to some unknown extent written more into the female biology.

No matter how differently we might begin, we all need to grow into inhabiting the mode of inquiry.  Women may take a different track towards this than men, but a capable adult of either gender must end up in a similar place.  While it seems to me that a man and a woman would get somewhat separate things out of reading this, it is also easy to see that both parties have plenty to learn.

For now, I leave the post with this :

"The acts of sex are themselves forms of inquiry, as the old euphemism 'carnal knowledge' makes clear: it is exactly the element of quest in her sexuality which the female is taught to deny.  She is not only taught to deny it in her sexual contacts, but (for in some subliminal way the connection is understood) in all her contacts, from infancy onward, so that when she becomes aware of her sex the pattern has sufficient force of inertia to prevail over new forms of desire and curiosity.  This is the condition which is meant by the term: female eunuch.  In traditional psychological theory, which is after all only another way of describing and rationalizing the status quo, the de-sexualization of women is illustrated in the Freudian theory of the female sex as lacking a sexual organ.  Freud may not have intended his formulations to have been taken as statements of natural law, but merely as coherent descriptions of contingent facts in a new and valuably revealing terminology; nevertheless he did say: 

'Indeed, if we are able to give a more definite connotation to the concept of 'masculine' and 'feminine,' it would also be possible to maintain that libido is invariably and necessarily of a masculine nature, whether it occurs in men or women, and irrespectively of whether its object is a man or a woman.'

If we are to insist on the contingency of feminine characteristics as the product of conditioning, we will have to argue that the masculine-feminine polarity is actual enough, but not necessary.  We will have to reject the polarity of definite terms, which are always artificial, and strive for the freedom to move within indefinite terms.  On these grounds we can, indeed we must reject femininity as meaning without libido, and therefore incomplete, subhuman, a cultural reduction of human possibilities, and rely upon the indefinite term female, which retains the possibility of female libido." (p. 78-79)











Saturday, December 8, 2018

2018


1. La Vita Nuova by Dante Alighieri
2. Of Mice & Men by John Steinbeck
3. Through the Looking Glass and What Alice Found There by Lewis Carroll
4. Bhagavad Gita (Anonymous)
5. Where the Sidewalk Ends by Shel Silverstein
6. The Female Eunuch by Germaine Greer

Thank you, 2018.  


Sunday, January 7, 2018

2017 - Subterranean homesick blues

Thank you, 2017. 



1. The Aeneid by Virgil
2. 
Travels with Charley by John Steinbeck
3. 
Go Tell It On the Mountain by James Baldwin

4. The Island of Dr. Moreau by H.G. Wells
5. Written on the Body by Jeanette Winterson

6. The Alchemist by Paolo Coehlo
7. Isaac's Storm by Erik Larson
8. The Autobiography of a Face by Lucy Grealy
9. The Handmaid's Tale by Margaret Atwood
10. The Art of Asking by Amanda Palmer
11. A Wrinkle in Time by Madeleine L'Engle
12. A Street Cat Named Bob by James Bowen
13. Going Into Town : a Love Letter to New York by Roz Chast

Monday, December 25, 2017

La Vita Nuova by Dante Alighieri



"The Salutation of Beatrice," Dante Gabriel Rossetti, 1859.  National Gallery of Canada, Ottawa.


"In that part of the book of my memory before the which is little that can be read, there is a rubric, saying, 'Here beginneth the New Life.'  Under such rubric I find written many things; and among them the words which I purpose to copy into this little book; if not all of them, at the least their substance." 

*****

La Vita Nuova is a coming of age story, and it is also the story of the journey towards becoming a poet.  As seen in the above quotation, La Vita Nuova is the product of his work trying to synthesize the two (his personal experience, i.e. his memory, with his personal aesthetic, i.e. the rubric of "the New Life").  I envision that Dante wishes to have them run as if parallel rivers, side by side.  He wishes for his life to inform his art and for his art to inform his life.  Many of us might wish that for ourselves too, but Dante has the abilities to make it so.


His love for Beatrice presents an obstacle to this endeavor.  As such, he places it at the center of this book.  This is the hardest thing for him to get enough perspective on to in turn be able to write about.  What's difficult for Dante, is it's also the thing in his life which most inspires him to pick up his pen (or quill as the case may be).  More than once in this book he expresses a desire to speak on something concerning Beatrice, but stops himself because of some reason or another.  I got the impression these moments, in a way, speak the most about who Dante must have been as a man and also as an artist.

While Dante's personal goals/desires are not so foreign because they are universal, this book is still a challenge for the modern reader.  Especially, if you have no previous experience with medieval texts as I did.  Books from that period are just different than books from our own time, or those of the previous 4-5 generations.  It is written in a language very different from our own.  It is very formal.  Writing at that time seems to not only have been about the content of what you were writing but also extremely focused on the format of the writing.  We no longer seem to be preoccupied with this so it's awkward for a modern reader to encounter.

Perhaps the most challenging part of La Vita Nuova is that it is a combination of prose and poetry.  Each type of writing has its own rhythm.  Having them back to back as they are presented here forces the reader to change gears quite frequently - and that's not something I'm accustomed to.  But it was a healthy challenge.

For all the intellectualizing that goes on in this book I think it is really a book that is meant to be taken to heart.  The narrator struggles to find his way - to temper his impulses, to organize his thoughts, and to discover how to shore up his life from enemies in his midst.

As the book progresses, I found the poetry to improve exponentially.  This makes me excited to read The Divine Comedy, whereas before I was simply intimidated beyond belief by that poem (heck, I still am).

I really enjoyed this poem the most, so I thought I'd include it here:


*****

A gentle thought there is will often start,
Within my secret self, to speech of thee;
Also of Love it speaks so tenderly
That much in me consents and takes its part.
"And what is this," the soul saith to the heart,
"That cometh thus to comfort thee and me,
And thence where it would dwell, thus potently
Can drive all other thoughts by its strange art?"
And the heart answers: "Be no more at strife
'Twixt doubt and doubt: this is Love's messenger
And speaketh but his words, from him received:
And all the strength it owns and all the life
It draweth from the gentle eyes of her
Who, looking on our grief, hath often grieved." 

*****


Anyway, this lecture on La Vita Nuova is a part of Giuseppe Mazzotta's  Yale's open course on Dante.  It is excellent and it is FREE.  Whatever he has to say about the book, he no doubt does it better than I can.





And, finally, some artwork...


Dante Gabriel Rossetti - Beata Beatrix, 1864-1870

Dante and Beatrice, by Henry Holiday. Dante looks longingly at Beatrice (in center) passing by with friend Lady Vanna (red) along the Arno River.


Cat ~ by Charles Baudelaire

I've been re-reading some Charles Baudelaire this year.  I read this one recently and it affected me somehow, so I thought I'd put it out there - on the information highway...

CAT BY CHARLES BAUDELAIRE

As if he owned the place, a cat
    meanders through my mind,
sleek and proud, yet so discreet
    in making known his will

that I hear music when he mews,
    and even when he purrs
a tender timbre in the sound
    compels my consciousness-

a secret rhythm penetrates
    to unsuspected depths,
obsessive as a line of verse
    and potent as a drug:

all woes are spirited away,
    I hear ecstatic news-
it seems a telling language has
     no need of words at all.

My heart, assenting instrument,
     is masterfully played;
no other bow across its strings
     can draw such music out

the way this cat's uncanny voice
     -seraphic, alien-
can reconcile discordant strains
    into close harmony!

One night his brindled fur gave off
     a perfume so intense
I seemed to be embalmed because
     (just once!) I fondled him....

Familiar spirit, genius, judge,
     the cat presides-inspires
events that he appears to spurn,
    half goblin and half god!

and when my spellbound eyes at last
     relinquish worship of
this cat they love to contemplate
     and look inside myself,

I find to my astonishment
     like living opals there
his fiery pupils, embers which
     observe me fixedly.

Sunday, May 7, 2017

Modern Library's 100 Best Novels

How many have you read?  Favorites? 

THE BOARD'S LIST


  1. ULYSSESby James Joyce
  2. THE GREAT GATSBYby F. Scott Fitzgerald
  3. A PORTRAIT OF THE ARTIST AS A YOUNG MANby James Joyce
  4. LOLITAby Vladimir Nabokov
  5. BRAVE NEW WORLDby Aldous Huxley
  6. THE SOUND AND THE FURYby William Faulkner
  7. CATCH-22by Joseph Heller
  8. DARKNESS AT NOONby Arthur Koestler
  9. SONS AND LOVERSby D.H. Lawrence
  10. THE GRAPES OF WRATHby John Steinbeck
  11. UNDER THE VOLCANOby Malcolm Lowry
  12. THE WAY OF ALL FLESHby Samuel Butler
  13. 1984by George Orwell
  14. I, CLAUDIUSby Robert Graves
  15. TO THE LIGHTHOUSEby Virginia Woolf
  16. AN AMERICAN TRAGEDYby Theodore Dreiser
  17. THE HEART IS A LONELY HUNTERby Carson McCullers
  18. SLAUGHTERHOUSE-FIVEby Kurt Vonnegut
  19. INVISIBLE MANby Ralph Ellison
  20. NATIVE SONby Richard Wright
  21. HENDERSON THE RAIN KINGby Saul Bellow
  22. APPOINTMENT IN SAMARRAby John O’Hara
  23. U.S.A.(trilogy)by John Dos Passos
  24. WINESBURG, OHIOby Sherwood Anderson
  25. A PASSAGE TO INDIAby E.M. Forster
  26. THE WINGS OF THE DOVEby Henry James
  27. THE AMBASSADORSby Henry James
  28. TENDER IS THE NIGHTby F. Scott Fitzgerald
  29. THE STUDS LONIGAN TRILOGYby James T. Farrell
  30. THE GOOD SOLDIERby Ford Madox Ford
  31. ANIMAL FARMby George Orwell
  32. THE GOLDEN BOWLby Henry James
  33. SISTER CARRIEby Theodore Dreiser
  34. A HANDFUL OF DUSTby Evelyn Waugh
  35. AS I LAY DYINGby William Faulkner
  36. ALL THE KING’S MENby Robert Penn Warren
  37. THE BRIDGE OF SAN LUIS REYby Thornton Wilder
  38. HOWARDS ENDby E.M. Forster
  39. GO TELL IT ON THE MOUNTAINby James Baldwin
  40. THE HEART OF THE MATTERby Graham Greene
  41. LORD OF THE FLIESby William Golding
  42. DELIVERANCEby James Dickey
  43. A DANCE TO THE MUSIC OF TIME (series)by Anthony Powell
  44. POINT COUNTER POINTby Aldous Huxley
  45. THE SUN ALSO RISESby Ernest Hemingway
  46. THE SECRET AGENTby Joseph Conrad
  47. NOSTROMOby Joseph Conrad
  48. THE RAINBOWby D.H. Lawrence
  49. WOMEN IN LOVEby D.H. Lawrence
  50. TROPIC OF CANCERby Henry Miller
  51. THE NAKED AND THE DEADby Norman Mailer
  52. PORTNOY’S COMPLAINTby Philip Roth
  53. PALE FIREby Vladimir Nabokov
  54. LIGHT IN AUGUSTby William Faulkner
  55. ON THE ROADby Jack Kerouac
  56. THE MALTESE FALCONby Dashiell Hammett
  57. PARADE’S ENDby Ford Madox Ford
  58. THE AGE OF INNOCENCEby Edith Wharton
  59. ZULEIKA DOBSONby Max Beerbohm
  60. THE MOVIEGOERby Walker Percy
  61. DEATH COMES FOR THE ARCHBISHOPby Willa Cather
  62. FROM HERE TO ETERNITYby James Jones
  63. THE WAPSHOT CHRONICLESby John Cheever
  64. THE CATCHER IN THE RYEby J.D. Salinger
  65. A CLOCKWORK ORANGEby Anthony Burgess
  66. OF HUMAN BONDAGEby W. Somerset Maugham
  67. HEART OF DARKNESSby Joseph Conrad
  68. MAIN STREETby Sinclair Lewis
  69. THE HOUSE OF MIRTHby Edith Wharton
  70. THE ALEXANDRIA QUARTETby Lawrence Durell
  71. A HIGH WIND IN JAMAICAby Richard Hughes
  72. A HOUSE FOR MR BISWASby V.S. Naipaul
  73. THE DAY OF THE LOCUSTby Nathanael West
  74. A FAREWELL TO ARMSby Ernest Hemingway
  75. SCOOPby Evelyn Waugh
  76. THE PRIME OF MISS JEAN BRODIEby Muriel Spark
  77. FINNEGANS WAKEby James Joyce
  78. KIMby Rudyard Kipling
  79. A ROOM WITH A VIEWby E.M. Forster
  80. BRIDESHEAD REVISITEDby Evelyn Waugh
  81. THE ADVENTURES OF AUGIE MARCHby Saul Bellow
  82. ANGLE OF REPOSEby Wallace Stegner
  83. A BEND IN THE RIVERby V.S. Naipaul
  84. THE DEATH OF THE HEARTby Elizabeth Bowen
  85. LORD JIMby Joseph Conrad
  86. RAGTIMEby E.L. Doctorow
  87. THE OLD WIVES’ TALEby Arnold Bennett
  88. THE CALL OF THE WILDby Jack London
  89. LOVINGby Henry Green
  90. MIDNIGHT’S CHILDRENby Salman Rushdie
  91. TOBACCO ROADby Erskine Caldwell
  92. IRONWEEDby William Kennedy
  93. THE MAGUSby John Fowles
  94. WIDE SARGASSO SEAby Jean Rhys
  95. UNDER THE NETby Iris Murdoch
  96. SOPHIE’S CHOICEby William Styron
  97. THE SHELTERING SKYby Paul Bowles
  98. THE POSTMAN ALWAYS RINGS TWICEby James M. Cain
  99. THE GINGER MANby J.P. Donleavy
  100. THE MAGNIFICENT AMBERSONSby Booth Tarkington

THE READER'S LIST

  1. ATLAS SHRUGGEDby Ayn Rand
  2. THE FOUNTAINHEADby Ayn Rand
  3. BATTLEFIELD EARTHby L. Ron Hubbard
  4. THE LORD OF THE RINGSby J.R.R. Tolkien
  5. TO KILL A MOCKINGBIRDby Harper Lee
  6. 1984by George Orwell
  7. ANTHEMby Ayn Rand
  8. WE THE LIVINGby Ayn Rand
  9. MISSION EARTHby L. Ron Hubbard
  10. FEARby L. Ron Hubbard
  11. ULYSSESby James Joyce
  12. CATCH-22by Joseph Heller
  13. THE GREAT GATSBYby F. Scott Fitzgerald
  14. DUNEby Frank Herbert
  15. THE MOON IS A HARSH MISTRESSby Robert Heinlein
  16. STRANGER IN A STRANGE LANDby Robert Heinlein
  17. A TOWN LIKE ALICEby Nevil Shute
  18. BRAVE NEW WORLDby Aldous Huxley
  19. THE CATCHER IN THE RYEby J.D. Salinger
  20. ANIMAL FARMby George Orwell
  21. GRAVITY’S RAINBOWby Thomas Pynchon
  22. THE GRAPES OF WRATHby John Steinbeck
  23. SLAUGHTERHOUSE FIVEby Kurt Vonnegut
  24. GONE WITH THE WINDby Margaret Mitchell
  25. LORD OF THE FLIESby William Golding
  26. SHANEby Jack Schaefer
  27. TRUSTEE FROM THE TOOLROOMby Nevil Shute
  28. A PRAYER FOR OWEN MEANYby John Irving
  29. THE STANDby Stephen King
  30. THE FRENCH LIEUTENANT’S WOMANby John Fowles
  31. BELOVEDby Toni Morrison
  32. THE WORM OUROBOROSby E.R. Eddison
  33. THE SOUND AND THE FURYby William Faulkner
  34. LOLITAby Vladimir Nabokov
  35. MOONHEARTby Charles de Lint
  36. ABSALOM, ABSALOM!by William Faulkner
  37. OF HUMAN BONDAGEby W. Somerset Maugham
  38. WISE BLOODby Flannery O’Connor
  39. UNDER THE VOLCANOby Malcolm Lowry
  40. FIFTH BUSINESSby Robertson Davies
  41. SOMEPLACE TO BE FLYINGby Charles de Lint
  42. ON THE ROADby Jack Kerouac
  43. HEART OF DARKNESSby Joseph Conrad
  44. YARROWby Charles de Lint
  45. AT THE MOUNTAINS OF MADNESSby H.P. Lovecraft
  46. ONE LONELY NIGHTby Mickey Spillane
  47. MEMORY AND DREAMby Charles de Lint
  48. TO THE LIGHTHOUSEby Virginia Woolf
  49. THE MOVIEGOERby Walker Percy
  50. TRADERby Charles de Lint
  51. THE HITCHHIKER’S GUIDE TO THE GALAXYby Douglas Adams
  52. THE HEART IS A LONELY HUNTERby Carson McCullers
  53. THE HANDMAID’S TALEby Margaret Atwood
  54. BLOOD MERIDIANby Cormac McCarthy
  55. A CLOCKWORK ORANGEby Anthony Burgess
  56. ON THE BEACHby Nevil Shute
  57. A PORTRAIT OF THE ARTIST AS A YOUNG MANby James Joyce
  58. GREENMANTLEby Charles de Lint
  59. ENDER’S GAMEby Orson Scott Card
  60. THE LITTLE COUNTRYby Charles de Lint
  61. THE RECOGNITIONSby William Gaddis
  62. STARSHIP TROOPERSby Robert Heinlein
  63. THE SUN ALSO RISESby Ernest Hemingway
  64. THE WORLD ACCORDING TO GARPby John Irving
  65. SOMETHING WICKED THIS WAY COMESby Ray Bradbury
  66. THE HAUNTING OF HILL HOUSEby Shirley Jackson
  67. AS I LAY DYINGby William Faulkner
  68. TROPIC OF CANCERby Henry Miller
  69. INVISIBLE MANby Ralph Ellison
  70. THE WOOD WIFEby Terri Windling
  71. THE MAGUSby John Fowles
  72. THE DOOR INTO SUMMERby Robert Heinlein
  73. ZEN AND THE ART OF MOTORCYCLE MAINTENANCEby Robert Pirsig
  74. I, CLAUDIUSby Robert Graves
  75. THE CALL OF THE WILDby Jack London
  76. AT SWIM-TWO-BIRDSby Flann O’Brien
  77. FARENHEIT 451by Ray Bradbury
  78. ARROWSMITHby Sinclair Lewis
  79. WATERSHIP DOWNby Richard Adams
  80. NAKED LUNCHby William S. Burroughs
  81. THE HUNT FOR RED OCTOBERby Tom Clancy
  82. GUILTY PLEASURESby Laurell K. Hamilton
  83. THE PUPPET MASTERSby Robert Heinlein
  84. ITby Stephen King
  85. V.by Thomas Pynchon
  86. DOUBLE STARby Robert Heinlein
  87. CITIZEN OF THE GALAXYby Robert Heinlein
  88. BRIDESHEAD REVISITEDby Evelyn Waugh
  89. LIGHT IN AUGUSTby William Faulkner
  90. ONE FLEW OVER THE CUCKOO’S NESTby Ken Kesey
  91. A FAREWELL TO ARMSby Ernest Hemingway
  92. THE SHELTERING SKYby Paul Bowles
  93. SOMETIMES A GREAT NOTIONby Ken Kesey
  94. MY ANTONIAby Willa Cather
  95. MULENGROby Charles de Lint
  96. SUTTREEby Cormac McCarthy
  97. MYTHAGO WOODby Robert Holdstock
  98. ILLUSIONSby Richard Bach
  99. THE CUNNING MANby Robertson Davies
  100. THE SATANIC VERSESby Salman Rushdie


Monday, February 27, 2017

The Rime of the Ancient Mariner by Samuel Taylor Coleridge


This is a poem that was published in 1798.  It begins when an old mariner stops a man who is on the way to wedding and begins to tell him the story of his life.  He tells of a voyage he was on in the Antarctic and how an albatross (one of the largest birds in the world, they have the largest wing-span of any living binds ~ 12 feet) led them away from an ice jam which threatened to trap the ship.  Even as the crew is praising the bird for helping them the mariner shoots it dead.  The poem is about the costs of a senseless act of violence - of killing an innocent. 

The poem turns somewhat supernatural as their ship eventually encounters a boat commanded by a deathly-pale woman (who represents life-in-death) & death itself.  With a roll of the dice death wins the lives of the rest of the crew but the mariner suffers Life-In-Death for committing the crime of killing the albatross. 

One by one his crew-mates die and the mariner can only look on.  Eventually, the mariner manages to pray, and the albatross (which his crew-mates had forced him to wear around his neck) falls from his neck and the bodies of the crew, possessed by good spirits, rise up again and help to steer the ship.

Eventually, the mariner finds land and is forced to tell his story to those he meets as penance. 

This was an interesting read - recommended if you like poetry and are patient enough to read the older English writing style. 

Wednesday, February 1, 2017

The Kama Sutra by Mallanaga Vātsyāyana


"Even when a stranger sees at a distance a young woman with the marks of nails on her breasts, he is filled with love and respect for her.  A man also, who carries the marks of nails and teeth on some parts of his body, influences the mind of the a woman, even though it be ever so firm.  In short, nothing tends to increase love so much as the effects of markings with the nails, and biting." 


I had a lot of preconceived notions of this text but what I discovered was a bit of a surprise.   My expectation of The Kama Sutra was that it would be about sex and about how to go about it in order to achieve the most amount of pleasure possible - but there was more to the subject matter than that.

Yes there is "On Sexual Union" and "About Courtesans."  But there is also "Observations on the three worldly attainments of virtue, wealth, and love."  This book visits the world of human sexuality but also attempts to create a philosophy for living well in other areas of your life.

For me, Indian philosophy is expressed through their three aims:


1. Dharma : obedience of holy writ.
2. Artha : acquisition of land, wealth, etc. and the protection of those acquisitions.
3. Kama : the enjoyment of appropriate objects by the 5 senses.  The peculiar contact between the organ of sense and the object.  The awareness of the pleasure that arises from that contact is KAMA. 
Actions that conduce to the practice of any two or even one of these three should be performed.  But the action should not be performed if it's at the expense of the others.

So Indians do believe that pleasure is a priority in life, but "pleasures are to be followed with moderation and caution."   The relationship between the means of attaining the goal and the goal itself as it applies to all endeavors in life is really the central life issue that the book is exploring. 

"the application of the proper means may be said to be the cause of gaining all our ends, and this application of proper means being thus necessary, it follows that a person who does nothing will enjoy no happiness...The man who is ingenious and wise...who knows the intentions of others, as well as the proper place and time for doing everything, can gain over, very easily, even a woman who is very hard."


It encourages creativity and play in this exploration of the right means to attain your goal.  For instance, with sex, it explores quite a few different playing fields to toy with:
1. The embrace
2. Kissing
3. Scratching with the nails or fingers
4. Biting
5. Lying Down
6. Making various sounds
7. Playing the part of a man, and on the work of a man
8. Mouth Congress
9. Striking
10. Crying
11. The acts of a man during congress 
12. The various kinds of congress (i.e. the twining of a creeper, climbing a tree, the mixture of sesame seed with rice, milk and water)

That is the playing field of the bedroom, but it is also concerned with that of the relationship at large - what to do when you meet someone you like, how to pursue them, ways in which attraction can blossom or wither, etc.  

A good book.